Sunday, September 24, 2023

raison d'être; an essay - breathing; the sonnet ·



10 days from today is my birthday; none of your damn business how many - think ‘old as dirt’, 4 days from now is my sister’s, she is older than dirt. We are estranged; in my waking fog today, she was traveling to China, an image which provided emotional leverage to explore unresolved issues that only the unconscious mind can navigate; it was very helpful. It is now late on a wet Oaxacan afternoon; a good day overall, though i fell riding my bicycle back from the outdoor gym. Given events of the past year, much less the past week, i applaud my pluck. Pancreatitis is the new Sherrif in town, which should make for an interesting denouement from my honest efforts to pluck as much creative gristle from the Bohemian bones that have comprised nourishment during much of my flicker of existence. Without being ‘wasichu’ about it, know, i’m in no hurry to check out, but more accurately; before i do, i'd like to honor the miracle of breath that has taken me so long to percolate up to the surface of my persona. 


One Christmas, while my father was gaining his supine footing at the onset of his end days and the elder siblings had circled the wagons in an effort to quarantine his peace from the ‘wild indian’ my spirit apparently manifests within the family mythology, i wrote my first sonnet as an homage to his journey. In that sonnet, i blithely foreswore my raison d'être as emanating from stone - if there’s afterlife, Pop is getting a good yuck’ off of my dawning awareness of such hubris. Well pop as long as we’re laughing: of the handful of times you laid a marshal hand on me for developmental emphasis was the the time i was ratted out by “the poor weak 'sister' creature” for nominating her to her face as a ‘she dog’- she was then/whether she still is i can’t say, she now eschews ‘simple existential dialogue’ - Pop’s enlightened reaction at that time was to corner me in the elder brother’s ‘premium’ primogeniture accommodation and ‘bitch’ slap my head from side to side, something i can only imagine the two siblings regaled, and continue to regale for my existential comeuppance, according to their ‘lights'. However, i am no longer fresh, not even confident, but am curious what morsels of understanding can be teased from this aged writing implement that had once represented liberation and redemption, which are now no more than a warm presence, like that of the murmuring from an old friend waiting to hear the end of your last sentence. There is also the bulwark against the contemporary terror foisted on the population by a cynical ruling class well aware of how deeply they have failed in their responsibilities to honor the privilege that chance and circumstance have provided their human experience. My creative elan is no longer manic - weighted by the gravity of destiny. Rather i would extrude each tidbit of beauty found through the prism of curiosity. 


Bob Dylan opined a parent’s wisdom still oozed out of his ears, my parents were never short on opinion; of my earliest memories is a photo of a ‘perplexed’ me looking up into the camera whilst my bright red cape was being affixed to my neck, not unlike that of a noose. The consummate craftsmanship of my devil costume was dwarfed by the weight of its horned symbolism. All of 3 years old, if that, and yet little more than a projection screen for the too active imagination of my exceedingly smart Dame and her gaggle of ready-made stories waddling behind her Hannibal-esque march to her destiny. All of this to say; there never was room or awareness adequate for a crosseyed sensate in the superheated cauldron of narcissist apprenticeship that was my childhood. I developed what innate mimicry i possessed, modeled the ‘cocktail hour vignettes’ that constituted the cognoscenti in the dead space south of San Francisco. I glommed onto the detritus of art supplies and open books that reflected the interests of my fascinating parents, substituting the proficiency i gained from factotuming in my parent’s faux bohemian billet in exchange for the dearth of affection and simple human acknowledgement that i grew up starved for in that house full of ‘vain’ appetites.  


So true-to-form on my elder sister’s birthday, i participated as uninvited interloper, sending a sonnet and sundry photos reflecting my obtuse, however sincere effort to be what i’ll never be - welcomed. Her birthday occurs on 9-11. For a time my strategy was to send whatever humor i could picture might serve as counterweight to someone i am welcome to ignore, and whose grief i’m not welcome to commiserate. Fb in it’s mechanical stupidity only serves to exacerbate my isolation and relational confusion. Zukè prompted me with an exposure of a statue that is magnificent in its own right and weighty in its failure to rise like cream into the cultural stratosphere, In the spirit of frolic i conjured for my birtday, i posted the foto only to discover an innocent remark from a stranger asking if the form the subject carries ‘is a cat?’ I held my tongue, but more importantly did not react, except here; out of context, in an essay attempting to parse the complexity of ‘raison d'être’ for my existence which i more and more suspect has less raison than d'être that one might find in the accretions of the same stones i have spent my life shaping into congruous shapes which at best are ambiguous, at worst opportunities for commentary by other isolated aesthetes. Yet in the scheme of things, though the nice lady from the South meant nothing more than to pose an interested question that through no fault of her own caused me grievous existential perturbation, my life is so configured that i sit content in the afternoon sun chewing on morsels of events that do little more than feed my soul - and feeling tremendously grateful for such nutrition in a starving world.


A shot and a half of Reposada, after a week and a half of vibrant good health; give or take a day, and this birtday morning the kindly Doctora at the local clinic teased Lima Bean-size, or at least large Pinto Bean-size detritus from both ears - i knew it was there, but took successive visits for liberation. I have been lucky so far in life debriding them myself since my patron saint of ENT Dr’s, Doctor Sammy Lee was called back to the mother ship; or at local Vietnamese Barber shops; (why the American war there was doomed out of the gate.)  There’s an autoerotic fascination about holding molted tissue that is so primary as to mimic an infant’s fascination with feces, and the world’s equally irrational repulsion - don’t believe me, try looking up the psychiatric expression for infantile interest in feces. My fascination with the intrinsic nature of esoterica formed on rainy days inside a weekend-empty home drenching myself in the encyclopedias my loving parents invested in. The comforting plethora of what was ‘known’ then against my increasingly insatiable curiosity about what is known now, nestles nicely in the paradox of our “monkeys with guns and money” reality that we drag behind our gimp; traipsing with our fragile skeletons onward past the chimera of oh-so-certain signposts into the nearly unfathomable enormity of our, forgive me Leonard, “invincible defeat;” 


don’t know about y’all - i had a blast wiping this one off the slate · 


“what’s the numerical equivalent of sex¿

68, one more and you eat it.” - A. Nonymous ·


Oscar Wilde — 'All women become like their mothers. That is their tragedy. No man does, and that is his.'



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breathing - the sonnet ·


There is little much more than breath to life

yet we fill our days with such distraction

what explains our fascination for strife

except as diversion from examination 


Of what, for why¿ permission to enjoy

the act of creation from deep within?

who would dare to arbitrate - with what ploy ·

‘We’ll need to see papers you were given,


to make something out of nothing, ain’t right; 

breathing must have authorization - 

how else can we know you have seen the light?

You might have knowledge without condition.


our system is made to give you comfort

that’s why we gloss your pain, you say it's hurt 

jts 070923 raison d'être; an essay - breathing; the sonntet ·

http://stoanartst.blogspot.com 

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Sunday, June 11, 2023

the Macabre New Year - 6 months L8r · an essay and sonnet


 

110623 the Macabre New Year - 6 months L8r · an essay


This, my last essay, ‘the Macabre New Year’ was written at the beginning of the year in another country, different narrative; never published - too macabre. Suffice it to say, after a Traumatic Brain Injury (TBI) and a broken wrist from getting knocked off my bicycle at Thanksgiving; my whining about getting Covid after Christmas was pretty predictable · the vestiges of that confluence of inequity are locked in the PDF file that refused my tortured efforts this morning to open and complete my mission. But rather than beat a ‘dead horse’, let’s see if it is not possible to invent a train of thought inaccessible to the fake-as-fuck jargon the ruling class is passing off as entertaining prose, because why not? I can say this because i’m likely much closer to death at my age than your ‘presumed’ younger demographic. And unless you’re a bored, aged operative tasked with supervising the slightly nefarious rantings of any miscreant jeopardizing public harmony with disaffected, however diffident, evocations for generalized mayhem, the possibility of your casting off the yoke of your carefully fitted mental manacle are next to nothing.


But then again who’d have thought anyone surviving an automobile collision from a blue-tooth distracted officer of the Kern County judicial establishment, could muster the gumption to swim upstream south to the land of Emilio Zapata and the much younger Mexican Revolution? And to what end; it’s not like the boink on my head knocked anything out of place or even jarred loose cogent meaningful narrative capable of derailing the ai choo choo and its mission of world domination by using carefully crafted, however verbose snippets of rhetoric seasoned with emotional denial and the sour grapes of a life wheezing into its end days without an African Queen fitted for any kind of ‘Hail Mary’ gesture to bracket its quest for meaning.


I forgot how much fun it was to just write minus the ego orientation of accomplishment and need to present for recognition proof of how much one knows by what one writes, rather than how much one feels by sharing what one has discovered. For example, in this perfect cocoon of creativity that i have been searching for since i left my last studio, i have enjoyed the most blissful hours of focused work that i can remember for a long time; and yet that thorn - the pebble in the shoe Muhammad Ali referred to in his aphorism about ‘it’s not the mountains ahead you have to climb that wears you out, but the pebble in your shoe’, almost like the universe has to add emfasis to the sylahble by infecting the metal door on my patio with a mechanical chirp so i won’t get too comfortable and get all blissful with the creative - but that’s just a mean way to see the world, almost like some pathology of my own can’t stand the thought of my having fun and wants to drag me back to the world of .  .. help me, what’s the word i’m looking for?


Same for the lover i was about to take until she fit the mold of previous ‘harridans’, i’ve known and left me hanging without a nod, or was it that i was just too dam close to that happy threesome, but too dam fundamental in my thinking? I really don’t know. I know there is no perfect relationship and that my siblings are not superior to me for having carried their harnesses in the conventional way for so much longer than our poor tormented and not so tormented parents had been able. I have also burnt the fingers of my soul trying to fly too close to the sun and would rather fight for a lifestyle that permits me to explore my world and its language of ideas as best i can without censure or fear in the hopes that simple gravity of ‘too much to ignore’ may one day escape the confines of the facile conceptions where social engineers render curiosity and imagination to such narrow confines as to be easily defined by 'affectless' algorithms.


In engineering the ‘go to’ whimper for losing scads of work to an ill-placed keystroke was, it’s always easier to rebuild 'it' - no matter what ‘it’ was. In this instance, the simple pleasure of writing without an ax to grind, has been more fun than i’m inclined to waste time explaining, but if as was posited by the erudite photographer of the Hollywood YMCA, who later looked the other way when i tried to associate in Aix, “Lord willing and the creek don’t rise,” i will come visiting again and more often. I like the act of sharing and while i make no claim that what you read or learn herein is of any use to anyone but myself, i can say what you've read is as open and honest as i can make it without charging you a whit for its reading; Good luck to us all, and to all a good night.     


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the Macabre New Year - 6 months L8r · and sonnet


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Habits are great if they don’t make you sick

“what doesn’t kill you, will make you stronger.”

Not my words, but they are still pretty slick, 

though they’ll do fuck all to keep you younger.


“Fountain of youth” another fuckin’ myth,

designed by greed to keep you in great need.

for if you could just find out who to tithe,

the hunger you work for wouldn’t need feed.


Then again without form, Kaos might reign;

Maxwell Smart made it clear how that worked out.

The truth people feared might happen, became -

The good guys lost, and evil reigned throughout.


a sad parable, if you can listen,

might present itself past a distant din.

  


jts 110623 the Macabre New Year - 6 months L8r · a sonnet

http://stoanartst.blogspot.com 

all rights reserved